If you're not the Director, then you create and play one of the main characters in the game's story—a hero. Your hero is a person motivated to fight forces of evil to protect the innocent, but each hero has their own personal reason for doing so. You don't have to be a pure beacon of good. Heroes have flaws and are complex, just like people in the real world. But your hero should be someone who isn't afraid to battle monsters for altruistic reasons. If you're only interested in playing a money-grubbing sellsword, you can achieve that with these rules, but you'll likely be happier playing another game.
The hero you create will be roleplayed by you. Often when referring to your hero, the rules use second-person pronouns (you/your) for shorthand, making a distinction between you and your hero only when that distinction is important.
Getting together with your friends to make characters can be a lot of fun. Many groups spend most of their first session talking about the campaign's story, making heroes, and going over expectations for the game. It's a great way to kick off a long-term campaign.
The Director should make an agenda for a campaign's first session often called "session zero." Chapter 15: For the Director has all the information a Director needs to help organize a successful first session, which can include any of the following events:
Use the following step-by-step guide to create a hero. These steps are presented in what we believe is the best way to approach making your first hero for Draw Steel. That said, the order of the steps is still a suggestion, not a hard and fast rule.
Many players like to build a hero from the backstory up, making ancestry and culture ideal first choices. However, some players like to start more in the present, choosing a career and a class—the choices with the most potential impact on what your character can do in the game—and then going back and figuring out where their hero came from. There's no wrong way to do it! (The sections below tell you where to look to learn about ancestries, classes, and other options.)
You'll want a character sheet to fill out while you make your hero.
Each option you can choose for your hero at 1st level includes a parenthetical selection labeled "Quick Build." This is for players who want to build a character faster without reading through all the available options, by choosing the most straightforward and archetypal option for a hero. Most quick build options don't select languages for you, because your Director knows better than us which languages will be most useful in your campaign. In addition to being called out in the text, quick build ability options within classes are indicated by a gold icon.
If this is your first time making a hero, don't stress! The first time you build a character for Draw Steel, it might take an hour or so. Don't rush the process. Set aside some time, enjoy digging into all the options, and if you can, make your character alongside friends who are playing in the same game. The process gets a lot faster after you've done it once.
Character Sheets
You can download and print out character sheets and other free resources for Draw Steel at https://mcdm.gg/DS-Resources.
The first thing you should do is think about the kind of hero you want to make. Ask yourself the following questions:
Ambition is Good!
Heroes aren't just along for the ride in the Director's story. They're active participants in that story, making decisions that change their communities, their worlds, or even the entirety of the timescape! It's good for your hero to have desires—to want to found an organization, seek justice for someone who was wronged, or craft a magic sword that will help you defeat your foes. It's only when that personal ambition becomes more important than the group's story that it creates a potential problem. But if you share your character's ambitions with your Director, they can weave those desires in with the narrative. Character creation is a great time to do this.
As the story evolves, your hero's ambitions could change. That's not a bad thing—dynamic characters are awesome! But if your hero ends up pursuing different goals over time, make sure you have a conversation with your Director about it, so they can plan accordingly.
Choose your hero's humanoid ancestry from among the range of ancestries available in the game—devil, dragon knight, dwarf, wode elf, high elf, hakaan, human, memonek, orc, polder, revenant, or time raider. Future supplements will introduce additional ancestries you can choose from. See Chapter 3: Ancestries for more information.
Choose or create your hero's culture. Although ancestry gives your hero any number of physiological benefits, your culture describes the community that raised you and gives you languages and skills. See Culture in Chapter 4: Background for more information.
Choosing Skills
This game has lots of skills (as detailed in Skills in Chapter 9: Tests), and lots of opportunities during character creation to gain them. We recommend recording a list of all the skills you might choose from the different steps of the character creation process, then making your choices at the end of that process rather than flipping back and forth through the book.
If you gain the same specific skill from two different sources (for instance, from a career and a class), you can pick a different skill from any skill group.
Choose your hero's career, which describes what you did for a living before you became a hero. A career provides you with skills, an inciting incident that precipitated your adventuring career, and a perk that lets you customize your hero. It might also grant you languages, Renown, wealth, or the potential to undertake crafting and research. See Careers in Chapter 4: Background for more information.
I Speak Their Language
Choosing languages at the start of a campaign can be hard because you might not know which languages are going to be most prevalent or useful. You can choose to leave some of the languages you know open until you discover what might be a good choice for the campaign you're playing in. Once you decide to take a language, you can reveal your choice in a dramatic fashion, perhaps during a negotiation where knowing a specific language would help, or when you find a tome that no other hero in your party can read.
Choose your hero's class. This choice has the biggest impact on how your hero interacts with the rules of the game, particularly the rules for combat. Your class provides your starting characteristic scores that determine your character's physical and mental acumen, as well as the Stamina and Recoveries that determine your physical hardiness. A class also provides your character with skills, several abilities—the unique features that define what your hero can do—and other features and benefits. You can be a censor, conduit, elementalist, fury, null, shadow, tactician, talent, or troubadour. See Chapter 5: Classes for more information on each class, as well as the different types of abilities—signature abilities, heroic abilities, and more—that heroes of a specific class have access to.
Your class might grant your hero a kit that helps define your approach to martial combat. The kit you choose provides you with equipment and a fighting style that grants a signature ability, as well as bonuses to one or more of your game statistics. See Chapter 6: Kits for more information.
A free strike is a combat ability you can use when it's not your turn, representing the simplest and most basic weapon attack you can make. An enemy is foolish enough to walk away from you in melee? Free strike! Every hero has a melee weapon free strike and a ranged weapon free strike. They're all the same—until modified by your kit or class—and it's up to you to decide what exactly your free strikes are. A thrown dagger? A punch? The design is intended to let you use your imagination.
You can also make free strikes on your turn to represent using weapons your hero isn't otherwise themed to use. A wode elf master archer can stab a too-close enemy with a dagger as a free strike, and a greataxe-wielding orc fury can use a free strike to hurl a handaxe at a flying enemy staying annoyingly out of melee range.
See Free Strikes in Chapter 10: Combat for more information on using free strikes, and see Abilities in Chapter 5: Classes for information on the ability format and how to read it.
Melee Weapon Free Strike
| Charge, Melee, Strike, Weapon | Main action |
|---|---|
| 📏 Melee 1 | 🎯 One creature or object |
Power Roll + Might or Agility:
Ranged Weapon Free Strike
| Ranged, Strike, Weapon | Main action |
|---|---|
| 📏 Ranged 5 | 🎯 One creature or object |
Power Roll + Might or Agility:
Complications represent those dramatic moments in a character's backstory that give them pathos, a dramatic reason to be an outsider, doubts about the meaning of life, an urge to avoid intimacy, or an unstoppable vendetta against an enemy from the past. Each complica tion grants a benefit and a drawback that make a character more three dimensional, but complications aren't necessary for making a great hero. Check with your Director as to whether your game is using them, and see Chapter 8: Complications for more information.
Once you've created your hero, it's time to determine the additional details of their backstory, appearance, and personality. How do the events of their culture, career and inciting incident, and class tie together into a cohesive narrative? What's their name? What do they look like? Do they have any cool scars? Any sweet tattoos? Do they still sleep with their teddy bear? These kinds of details can help define a well-rounded hero.
Ask the Director if all the heroes start the campaign knowing each other. If they do, talk to the other players and build some connections between your characters. If you like, you can use the following prompts to make those connections, or to come up with prompts of your own:
Answer these questions with the other players present, and be sure to get a player's approval if your answer makes use of their character.
Draw Steel isn't a game about tracking gear, so you don't need to list every piece of equipment you own on your character sheet. The game assumes that heroes generally have enough to eat and drink, so the rules don't expect you to track food and water either.
If your character has a skill that implicitly requires gear, such as lockpicks for the Pick Lock skill or basic alchemy supplies for use with the Alchemy skill, then you have that gear. Likewise, your character is assumed to have standard useful adventuring gear, including a torch, a rope, and a backpack at minimum.
At the Director's discretion, you might lose certain gear during an adventure, or your gear could break. If this happens, you might not be able to perform certain tasks as effectively without that gear.
If you pick a skill, ability, class, or any other option that you end up not liking after using it in the game—even your character's ancestry—you can always freely change that option between game sessions. If you want to change some aspect of your character during a session, ask your Director. If they say it's fine to swap that aspect out for something else, go for it. You shouldn't be stuck with any option that makes the game less fun for you.
If you're changing an option for some reason other than fun, you need to follow the usual rules for changing that option. For example, you might want to swap a kit out because you think the next adventure is going to require you to have better distance with weapon strikes, doing so during a respite as talked about in Chapter 6: Kits. If no rule for swapping out an option exists, such as wanting to change a signature ability granted by your class because you think a different damage type would be more helpful against undead in an upcoming encounter, talk to your Director.
An optional rule the Director can include in your game is to allow heroes to change any number of signature and heroic abilities granted by their class as a respite activity (see Respite in Chapter 1: The Basics). This allows heroes to prepare for upcoming encounters and try new builds, but the Director and the players should all be comfortable with constantly juggling and learning new abilities.
Your character's heroic advancement is marked by level. Each time you gain a new level in your class, your Stamina increases, and you gain new features or abilities according to your class's advancement, as detailed in Chapter 5: Classes.
In the standard setup for the game, heroes gain Experience each time they finish a respite (see Building a Heroic Narrative in Chapter 1: The Basics). When you gain sufficient Experience, you gain a level during the same respite. The Heroic Advancement table shows exactly how much Experience (XP) you need to advance from one level to the next. The amount of Experience you gain is cumulative.
Though many games might advance using the standard setup for heroic advancement, the Director can decide that their game uses different advancement. Check with your Director about what method of advancement they plan to use.
Some Directors prefer that heroes gain new levels faster or slower to suit the pace of their story. The Adjusted XP Advancement table is set up for campaigns where heroes advance at double or half the usual pace. Directors can also create their own customized pace for XP-based advancement.
Rather than tracking XP, some games have the heroes advance in level when they achieve a particular story milestone. For example, when a party defeats the main villain of an adventure and foils their dastardly plot, each hero gains a level for achieving this objective, no matter how many obstacles they faced along the way.
For many Directors using milestone advancement, the end of each adventure within a campaign serves as a milestone for gaining a new level. The Director can share these milestones with the players to encourage them to work toward particular goals, and to engage with the story and world the Director has prepared. For example, in a campaign where the heroes have to face nine evil mages, it makes sense that each time the heroes defeat a mage, they gain a level. The Director should keep milestone goals flexible, though. Defeating a mage could mean stopping them with violence, using negotiation to make them stand down, or anything else that thwarts their evil plans.
Some games don't track XP or goals at all. The heroes simply gain a level whenever the Director decides it's appropriate for the story.
| Level | XP | Level | XP |
|---|---|---|---|
| 1st | 0-15 | 6th | 80-95 |
| 2nd | 16-31 | 7th | 96-111 |
| 3rd | 32-47 | 8th | 112-127 |
| 4th | 48-63 | 9th | 128-143 |
| 5th | 64-79 | 10th | 144+ |
| Level | XP for Double Speed | XP for Half Speed |
|---|---|---|
| 1st | 0-7 | 0-31 |
| 2nd | 8-15 | 32-63 |
| 3rd | 16-23 | 64-95 |
| 4th | 24-31 | 96-127 |
| 5th | 32-39 | 128-159 |
| 6th | 40-47 | 160-191 |
| 7th | 48-55 | 192-223 |
| 8th | 56-63 | 224-255 |
| 9th | 64-71 | 256-287 |
| 10th | 72+ | 288+ |